I thought I would share some of the images I made during the Bald Head Island photography workshop last week. When we arrived at Cape Fear Point just after 4pm the sun was too high to make dramatic landscape light but it was making interesting shadows with the sand fences.
I’m not happy with this image but it is the best I was able to do under the circumstances. I would have preferred to find a perspective without any grass so I could make a more abstract image of just the fence and the shadows on the sand.
As the sun moved closer to the horizon it started to light the sand in interesting ways, especially near the point where the tide had sculpted repeating patterns in the shore. Eyes are naturally drawn to the sun as it sets but it is important to look around you at what the light is doing.
I made this image to demonstrate how the setting sun was causing the sand to glow and to show the colorful effects of mixing the warm light of the sun with the cool light of the shadows lit only by the blue sky.
The moment the sun dropped below the horizon I swung the camera around and started shooting in the opposite direction of the sunset. Here the sky is often lit by a range of pastel colors. Water and wet sand easily pick up this color.
Some participants did not have tripods and as the sun dropped below the horizon it became more difficult for them to hold their camera steady enough in the fading light. Rather than fight the slow shutter speeds I suggested they use it to their advantage and make intentionally blurred images.
I made this image to demonstrate for the workshop participants the effect of panning the camera horizontally with a slow shutter speed to create an abstract painterly effect.
The next morning we returned to Cape Fear Point before dawn to photograph the sunrise. There were a lot more pelicans, terns, and gulls to photograph during the morning session.
Three of the participants at the Bald Head Island photography workshop photographing the sunrise from Cape Fear Point.
I liked the curve of the shore and the sun reflected in the wet sand but not quite enough to make an image. When the pelicans flew through the scene it added some additional interest.
One of the participants photographing birds in flight.
Brown pelicans and terns over Frying Pan Shoals.
But the coolest images I made were at night. I invited all the workshop participants to join me at Cape Fear Point for a bonus free session to photograph the peak of the Orionid meteor shower from 3 to 6 am. No one took me up on that offer so I had the beach to myself, except for a fox that hung out with me for a while. Somehow, in the light of the milky way, I noticed the silhouette of a fox trotting down the beach. I watched it trot to within about 30 feet of me where it sat down as if this was the exact spot it had been determined to reach. We sat there together for about 5 minutes, looking south toward the milky way, but the fox evidently had a busy night and could not stay long.
The Peak of the Orionid Meteor Shower from Cape Fear Point. This is a composite image of 34 minutes of exposure time resulting in 29 captured meteors. Some of the more faint meteors are not visible in this low resolution jpeg.
After making the meteor image I noticed the planet Venus rising within the almost vertical band of zodiacal light. It is difficult to describe the feeling of standing on the edge of the sea, bathed in starlight, with the universe wheeling overhead, but I think this last image captures something of that feeling.
Venus rising in zodiacal light. Click the image to see a larger version.
